I FEP Question Answers on Novel

Dear FEP 08-11 Students, please post your questions and answers in the comment section of this blog.

However, it is important that you give the complete URL of the internet source you have referred to to find the answer. In case of a book, give the complete title, author's names, place of publication, publisher's name and year of publication.

For better idea so citing/referencing please enter 'bibliography' in the search box above and find my write up on that.

Questions on the novel

Following are the questions IBA (FEP)students asked me on the novel in about 45 minutes. Of course they are going to find answers for their own question! It's really an intriguing list.

1. Who wrote the first novel? Where? When? Why?
2. When did the first novel come to existence?
3. Why do they call novel a novel?
4. What is the purpose of a novel?
5. Why do we have to study it?
6. Characteristics of a novel.
7. What are the different types of novels?
8. What is the relevance of novel?
9. What is the difference between a short story and a novel?
10. Why do we have different editions of a novel?
11. Structure of the novel.
12. Why is novel a popular genre?
13. Who are the target audience of a novel?
14. Why did the genre survive?
15. What makes a novel a classic?
16. Why do novels drag the narrative?
17. Why should we critically analyze a novel?
18. How to critically analyse a novel?
19. Which is the first most famous novel?
20. Why is detective fiction famous?
21. Limitations of the novel genre.
22. Were novels meant to entertain?
23. What is the length of a novel - min/max?
24. Why are novels so melodramatic?
25. What are the uses of a novel?
26. What motivates the novelist to write a novel?
27. How to write a novel?
28. Which is the longest novel in the world?
29. Which is the first bestseller in the world?
30. Has novel evolved?
31. What are the topics on which novels are written ?
32. Relation between print culture and the novel.
33. How does one interpret the depth of a novel?
34. Should you have antagonist at all in a novel ?
35. Why do people write novels?
36. Why do only the novels from England become famous?
37. What kinds of novels are popular?
38. How many novels have been written till date?
39. How far do novels help us understand an age?
40. When did novel become a hyped genre ?
41. Which is the worst-rated novel?
42. Which is the first novel written by an Indian?
43. Etymology of the word novel.
44. Most controversial novel.
45. Difference between an epic and novel.
46. When did interdisciplinary novel arise?
47. What are the different styles of writing a novel?
48. Do we approve novels made into movies?
49. What role imagination plays in writing a novel?
50. Politics of rating a novel.
51. Subject of a novel.
52. How do novels become bestsellers?
53. Role of novel in social movement and awareness?
54. Impact of novel on society.
55. Can you analyze author's personality by reading a novel?

Suggested reading list

Note: Abey has been asking me to put up a list of books that i wish my students read. The following are some of the titles i suggest. Will add some more slowly.

Critical texts
Plato – Republic
Aristotle – On Poetics
Foucault – History of Sexuality 1 & 2
Foucault –Discipline and Punish
Lacan – Ecretis
Barthes – Mythologies
Marx - German Ideology
Stanislavski – An Actor Prepares
Stuart Hall -
Raymond Williams -
Ashis Nandy – Intimate Enemy
Partha Chatterjee – Nation and its discontents
Louis Althusser - Ideology and Ideological State Apparatuses: Notes Toward an Investigation
Marshall Mcluhan - Understanding Media
Daniel Chandler - Semiotics for Beginners


Plays
Euripides - Medea
Aristophanes - Frogs
Sophocles - Oedipus Rex
Ibsen - A Doll’s House



Novels
Eco - Name of the Rose
Italo Calvino -
Marquez -
Rushdie – Midnights Children
Amitav Ghosh – See of Poppies

I will be in the library ....

In the beginning of the year I had mentioned that I would be available in the department from 08.30 to 09.00 am on working days. It's nearly two months and I have hardly had anyone meeting me to consult during this period. It seems to me that we do not have a practice of meeting teachers to discuss ideas or texts, other than meeting them to give vent to angst, for personal attention or submission of assigned works. Hence, I have decided not to waste my time in the department and head straight to the library. Those of you who wish to see me can have a look in the dept. If i am not found there, I will either be in classroom or library.

However, two more channels are still open for you - the brown hard-bound book on my table and the email.

Claude Levi-Strauss on a structuralist approach to Oedipus the King

• The Structural Study of Myth – Levis-strauss
• Gives insight into Sophocles’ play
• Interaction bw linguistics, anthropology, and literature
• Basic problem of contradiction in myth
• In a myth anything can happen
• No logic no continuity
• Any characteristic can be attributed to any subject
• But there is similarity in the myths collected in different regions throughout the world
• Ancient philosophers and language
• Definite sounds related to definite meaning
• But differ across language
• Saussure – relations among units of sounds and not units of sound produces meaning
• Carl Jung’s attempt to find meaning in basic units of myth (archetypes) similar to ancient philosophers
• Saussure - language
• Unchanging elements - grammar
• Changing elements – sequence of words
• Synchronic and diachronic
• Myth expresses meaning both
• diachronically (
• synchronically (part of larger myth)
• Similar to a sentence
• Jack hates Jill
• Jill hates Jack
• Levis-Strauss – basic elements of myth are not isolated relations but “bundles of such relations”
• To read a myth properly need to pay attention to the story as it proceeds and to relations within, btwn, among stories
• Need to see wh happens before and after the story
• Cadmus – Europa –Zeus – Delphic oracle – city – Thebes – kills Ares the god of war – saws teeth – Spartois spring up – flings a stone – they kill each other – Son Polydorus fathers Oedipus
• Oedipus’ sons - Etocles kills Polynieces – denied burial – sister Antigone give funeral – buried alive
• All relations in one column exhibit a common feature
• I column – overemphasized blood relations More intimate than they should be
• II column – (inverted) Underrating blood relations
• III Column – monsters being slain
• IV Column – difficulties in walking straight and standing upright
• Relations btwn and among columns
• I & II logical contrast
• III 0- killing monsters – dragons associated with the earth – a dragon must be slain before men can be born from earth – sphinx will not permit men to live
• Livi- Strauss – Basic origin of human life addressed by many cultures
• Vegetable springs from earth – decays and back into earth – human bodies
• Judeo-Christian culture – man from clay
• Today people are born from union of two
• III- monsters are overcome by men – denial of the origin of humans from the earth
• Myth therefore includes both aspect of human origin of life
• Myths that show humans springing from earth all over the world also talk of initial difficulty of walking
• IV column affirms individual origin in the earth
• III denies it
• Original problem – born from one or born from two?
• Born from different or born from same
• Earlier and later versions of myth
• Both are not true – coz myth made of all its variants
• Freud’s concept of “Oedipus Complex” - latest variation of the myth itself – child trying to overvalue one parent against the other – born of one or two
• Levi-Struss shows issues around and in the play
• Also shows myth as dramatic - both aspects of human expression are less concerned with delivering the message than dramatizing the intractable questions about the meaning of human life.
• Therefore Lev-Struass – another myth

'Structuralism and Literary Criticism' - Gerard Genette

Following is a note sent by Adarsh of III Year PSEng on the essay:

Ideas Dropped :

Gerard Genette tries to establish differences between the following:

Bricoleur : makes use of things that are not meant for the purpose.
Engineer : makes use of things that are meant for the purpose.

Art critic : will not use a painting in the process of criticism of art.
Literary critic : only person to use the same thing (literature or writing) in the process of literary criticism.

Writer : questions the world/universe which is nothing but a 'sign' to him.
Critic : questions literature. The work, which is a sign for the writer is meaning for the critic; the view of the world is sign for the critic and meaning for the writer.
Thus, Structuralism is a method with literature as it's object. The essay tries to find the principles through which Structuralism could reach it's 'object' and thus offer itself as the 'fruitful' method (as compared to Formalism)

Genette establishes the difference between Formalism and Structuralism by citing limitations of the former and the importance of the latter.

Limitations of Formalism :

1. Only worried about word/sound/sentence. The sentence would thus be the largest form that Formalism is concerned with.
2. Unlike Structuralism, it only concerns itself with the 'codes' and not the 'messages.'
3. Content for them is not the concern.
4. Formalism treats literature as a dialect.


Importance of Structuralism :

1. Establishes the relation between the form and the message. It is concerned with the message too i.e, the bone structure.
2. Semantic phenomenon i.e, it attacks the meanings.
3. Larger unities of discourse. (systems)
System of Forms - Code
System of Meanings - Meaning
4. Study of structures wherever they occur.

Genette goes on to say that, Structuralism tries to conceive structures rather than perceive them. In other words, they think they are discovering, but are actually inventing.

Certificate Course in Existentialism

A few words regarding the course...

• The classes are held every Saturday from 2 to 5 pm in Room 102 which is on the first floor of Main Block, Christ College
• A short break of 15 minutes is given at about 3.30 pm
  
• After the classes you can join Kurian at the kiosk over a cup of tea for an informal, free-wheeling discussion around Philosophy. Bring-your-own-tea.
  
• Please be in the class in time both for the class and post-break session
• Please be regular
• There is an evaluation at the end of the course to award credits (for Christ Colleges students) and certificates. The course participants have a choice of choosing the manner of evaluation which could be a paper or a viva voce or a performance or any other means with the prior permission of the course teacher. It can also be a combination of these methods.
  
• A handout consisting of key points on the lectures/discussion is already distributed in the first class held last Saturday. Those who were not there in the last class may collect it from me in person.
• For any clarification please free to email me.
• If you wish to meet me in person I am usually available in Room 107, First Floor, Main Block between 8.30 and 9am.
• You can obtain membership of DVK library which is one of the finest libraries for Philosophy in Asia. You can directly approach the DVK library or get in touch with Kurian or me to know the process of application for membership there.
• Christ College library too has a small collection of books on Philosophy. It also has secondary works on some of the philosophers we are studying.
  
• Ravi has mooted the idea of having a blog on existentialism for the group. Kanasu has volunteered to manage/moderate it. Her email id is: kanasihi at gmail dot com I wish this initiative goes a long way.
  
• Kurian's following books are available with me if you wish to go through them.
  
• Process: Implications and Applications
• God-talk Reconstructed: An Introduction to Philosophy of God
• God of Love: A Neoclassical Inquiry
• I will make them available in the college library within a week or so
• If you wish to buy them at at 40% discount whose cover price in rupee is 120, 120, and 150 respectively, you may either contact Kurian or me.
• All the best. I am sure this course will set you on newer and diverse intellectual journeys.

MA English - Literary Criticism Syllabus

Department of Media Studies

Christ College (Autonomous), Bangalore

Subject: MA in English with Communication Studies Credits: 4

Paper Title: Western Aesthetics (Plato to New Critics) Total Hours: 60

Paper Code: MEL133 Max Marks: 100

The selection provides a comprehensive account of intellectual traditions and critical movements from Plato to the New Critics.

Objectives

· To explore the various currents, pressures, and directions in contemporary criticism as aspects of the cultural present and as an ongoing conversation with intellectual precursors and earlier traditions of literary study.

· To enable readers to build their own sense of the map of modern literary critical practice.

Module I 20 hrs

Concepts of Criticism and Aesthetic Origins:

Mimesis: Ancient Greek Literary Theory

Mimesis

Fiction and falsehood

The audience

Catharsis

Expressivity: The Romantic Theory of Authorship

Expression

Confession

Composition

Inspiration

Imagination

Interpretation: Hermeneutics

The defence of non-theoretical understanding

Art and truth

Do texts have ‘objective’ meanings?

Gadamer’s Defence of Reading as Freedom

Value: Criticisms, Canons, and Evaluation

The origin of canons

The test of time: reputation and value

For and against literary value judgements

The containment of literature and the preservation of value

Postmodernism and the retreat from value

Module II 20 hrs

Criticism and Critical Practices in the Twentieth Century:

Literature and the Academy

Criticism incorporated

A brief prehistory

Modernism and the purification of criticism

Criticism decentred

I.A. Richards

Intellectual contexts: Cambridge philosophy

The meaning of meaning

Principles of literary criticism

Practical criticism

Critical legacies

T.S. Eliot and the Idea of Tradition

‘Tradition and the Individual Talent’ - then and now

F.H. Bradley – the historical sense

Impersonality – the closet Romantic

Literary and socio-political hierarchies

Legacies: theory

Legacies: poetry

Anthropology and/as Myth in Modern Criticism

‘Myth’ and ‘reason’

Varieties of Modernist mythopoeia

Literary anthropology

Structuralism and the break up of Modernist mythopoeia

Myth and the marvelous

F.R. Leavis: Criticism and Culture

Leavis’ cultural criticism

Leavis and scientific management

Leavis’ literary criticism

Marxist Aesthetics

Marx before Marxism

Art, authorship, ideology

Base and superstructure

Marxism, realism, typicality

Art, antiquity, and modernity

Marxism since Marx

Module III 20 hrs

William Empson: From Verbal Analysis to Cultural Criticism

Verbal analysis

Cultural criticism

Contra clerisies: moral criticism

The example of Empson

The New Criticism

Origins

Methods and characteristics

Influence and legacy

Testing pattern

Mid-semester

Sections	A	B
No. of Questions in each Sections	3	3
No. of Questions to be answered	2	2
Marks for each question	10	15
Maximum marks for each Section	20	30
Total Marks : 50

End-semester

Sections	A	B
No. of Questions in each Sections	6	6
No. of Questions to be answered	4	4
Marks for each question	10	15
Maximum marks for each Section	40	60
Total Marks : 100

Required Texts:

1. Literary Theory and Criticism An Oxford Guide; Ed. Patricia Waugh
2. The Norton Anthology of Theory and Criticism; Ed. Vincent B. Leitch

The Rise of English - Some pointers for MA English students

• The Roles of Mathew Arnold, F R Leavis and TS Eliot in shaping Englsih literary studies in England
• Arnold's relationship with the rising middle class
• The romantic recourse to and obsesion symbol and the consequent loss
• Religion and literature as similar in terms of ideology
• The conception of literature disseminated by Scrutiny
• Conception of Practical criticism
• Conception of new criticism
• Historical conditions that necessitated the birth of new criticism in the US
• Notion of ogranic society
• Our Leavisian legacy
• The pedagogic narrative of literary studies

Feel free to add more pointers in the comment section below

Literary Theory Class 3- III PSEng

The following note is by Adarsh. Thanks Adarsh.

Names dropped : Saussure, Barthes, Claude Levi-strauss

Concepts dropped : Philology, Diachronic and Synchronic Studies, Language as a sign system; Signifier and Signified (1st Order System)

Points :

1. 'A course in general linguistics' - Ferdinand de Saussure. 1916. Compilation of notes made by his students. The book proved to be the turning point in semiotics.
2. Philology is the study of historical development of language.
3. Diachronic studies study language with history in mind, while Synchronic studies study language at a particular point in time. Saussure was a believer of the Synchronic model.
4. He put forward two propositions :
a. Language is a sign system.
b. Language is arbitrary.
5. A sign is the coming together of the 'signifier' and the 'signified'.
The signifier is word itself while the signifies is the suggestive meaning it creates. This was called the 'First order system'
Barthes Pushed the First order system into the level of visuals, thus making the relation between the signifier and the signified arbitrary.
This led to the loss of sacredness of the language.
Barthes later, in 1954, revised this to say that a it is possible to have a definite meaning which is called a myth. This was thus known as the 'Second order system.'

Course Plan V sem Optional English - FEP and PSEng

Department of Media Studies

Christ College (Autonomous), Bangalore

V Semester FEP, JPEng, PSEng

Literary Theory and Criticism

Course Plan 2007

Name of the Teacher : Anil Pinto

Total No of hours (approx) : 37

Subject : Optional English

Papers : Literary Theory and Criticism, and Indian Literatures in Translation

No	Topic	No of Hours	Dates/Remarks
1	Literature a critique		June 06 – July 12
2	Structuralism Julie Rivkin and Michael Ryan : ‘The Implied Order: Structuralism’ Gerard Genette : ‘Structuralism and Literary Criticism’ Claude Levi-Strauss: ‘On Structuralist Approach to Levi-Strauss’	6-8	July 14- Aug 2
3	Post-structuralism Julie Rivkin and Michael Ryan : ‘Introductory Deconstruction’ Paul de Man : ‘Semiology and Rhetoric’ J. Hillis Miller : ‘On a Post-structuralist Approach to Wordsworth’s a “Slumber Did my Spirit Seal”’	8-9	Aug 4 - Aug 30
4	Psychoanalysis William Vesterman : ‘A Brief Introduction to Psychoanalytic Criticism’ Earnest Jones ‘Hamlet and Psychoanalysis’ Geoffrey Hartman : ‘A Psychoanalytic Approach to “A Slumber did my Spirit Seal”’	7-9	Sept 1- Sept 13
5	Introduction to Indian Poetics	12-14	Sept 15 – Sept 25
6	Review/Feedback		Last week of Sept

Methodology

The classes will follow lecture method. The lectures may draw upon visual material namely painting, films, advertisement and literary works. The lectures will not limit themselves to any particular discipline but rather explore ways of meaning making at the intersection of various disciplines. There will also be scope for student presentations.

Continuous Internal Assessment

Guidelines for Submission in case of written assignments:

· The written assignment should be based on your field research. The typed assignment should adhere to the following specifications: A4 size paper, 12 font size, 11/2 line space, font: Times New Roman, Book Antiqua, or Garamond

· Assignment details - your name, reg. no, class, semester, assignment code, name of the College, name of the teacher in-charge and date of submission- should be mentioned on the top right-hand side of the first page. Do not use a cover page.

· You are free to take the assignment beyond the expected criteria. Such efforts will be appreciated

· Those who are going to be out of town can submit the assignment online

· No late submission is entertained

· Plagiarism will not be tolerated and may result in rejection of assignment

· Remember to give reference at the end of your assignment of the books, articles, websites, and films that you have referred to. The following pattern may be followed: Author’s name with the last name first, a period, name of the book italicised, a period, Place of Publication, colon, name of publication, year of publication, page no

o E.g.: Gandhi, Mohandas Karamchand, My Experiments with Truth, New Delhi: Penguin, 1998.

o In case of a website give the complete URL of the site referred to along with the above details

o If you are directly lifting some lines quote them. If you are using some idea write it in your words but acknowledge it

For further information on bibliography writing please refer to MLA Handbook – Sixth Edition.

Note:

Ø Attendance is compulsory for all the sessions.

Ø Please be punctual. If you are late, you will not be allowed to attend the class. However, should there be any serious issue, do discuss with me or bring to my notice through the counsellors.

Ø I expect you to come to class having read the required essays. Failing to which you will not allowed to attend the classes.

Ø Please feel free to clarify your doubts, ask questions or give feedback in the class, department or through email.

Ø While emailing please mention your name, class and batch.

Ø If you are absent for any of the classes please get the help of your classmates to get updated, before you approach me for help.

Ø If you wish to make classroom presentation on any topic or idea within the framework of the syllabus, you will be given encouragement and guidance.

Ø Visit my blog for notices and announcements regularly

Ø I reply to emails within 24 hours. If you do not receive reply within that time, you may assume that I have not received your email.

Ø As far as possible avoid calling me on my mobile phone.

Ø I am available in the department for any meeting or discussion between 8.30 and 9 am only. If you come at other times there is a brown book on my table in which you could leave me messages.

Ø All the best. Let us grow together.

Anil Pinto

Email: anil.pinto@christcollege.edu, ajpinto42@gmail.com

Blog: http://anilpinto.blogspot.com

Course Plan I Sem Optinal English - I FEP

Dept of Media Studies

Christ College (Autonomous), Bangalore

I Semester FEP

Print Culture and the Rise of the Nation-State

Course Plan

Name of the teacher : Anil Pinto

Total No of Hours (approx) : 38

Subject : Optional English

Paper : British literature: Anglo-Saxon to Early Victorian

No	Topic	No of Hours	Dates/Remarks
1	Introduction	2	June
2	Essays	7	June, July
3	Robinson Crusoe	11	July
4	Northanger Abbey	11	Aug
5	Way of the World	07	Sept
11	Review/Feedback	1	Last week of Sept

Teaching Methods

The classes will have lectures and student presentations. The lectures may draw upon visual material namely painting, films, advertisements, print media and literary works. Lectures will explore the theme of the paper at the intersection of various disciplines. Supplementary reading will be announced from time to time.

CIA II

Will depend on the way discussion will shape up by the first week of July. It will be announced in the beginning of the II week of July.

Guidelines for Submission in case of written assignments:

· The written assignment should be based on your field research. The typed assignment should adhere to the following specifications: A4 size paper, 12 font size, 11/2 line space, font: Times New Roman, Book Antiqua, or Garamond

· Assignment details - your name, reg. no, class, semester, assignment code, name of the College, name of the teacher in-charge and date of submission- should be mentioned on the top right-hand side of the first page. Do not use a cover page.

· You are free to take the assignment beyond the expected criteria. Such efforts will be appreciated

· Those who are going to be out of town can submit the assignment online

· No late submission is entertained

· Plagiarism will not be tolerated and may result in rejection of assignment

· Remember to give reference at the end of your assignment of the books, articles, websites, and films that you have referred to. The following pattern may be followed: Author’s name with the last name first, a period, name of the book italicised, a period, Place of Publication, colon, name of publication, year of publication, page no

o E.g.: Gandhi, Mohandas Karamchand, My Experiments with Truth, New Delhi: Penguin, 1998.

o In case of a website give the complete URL of the site referred to along with the above details

o If you are directly lifting some lines quote them. If you are using some idea write it in your words but acknowledge it

For further information on bibliography writing please refer to MLA Handbook – Sixth Edition.

Note:

Ø Attendance is compulsory for all the sessions.

Ø Please be punctual. If you are late, you will not be allowed to attend the class. However, should there be any serious issue, do discuss with me or bring to my notice through the counsellors.

Ø I expect you to come to class having read the required texts. Failing to which you may not allowed to attend the classes.

Ø Please feel free to clarify your doubts, ask questions or give feedback in the class, department or through email.

Ø While emailing please mention your name, class and batch.

Ø If you are absent for any of the classes please get the help of your classmates to get updated, before you approach me for help.

Ø If you wish to make classroom presentation on any topic or idea within the framework of the syllabus, you will be given encouragement and guidance.

Ø Visit my blog for notices and announcements regularly

Ø I reply to emails within 24 hours. If you do not receive reply within that time, you may assume that I have not received your email.

Ø As far as possible avoid calling me on my mobile phone.

Ø I am available in the department for any meeting or discussion between 8.30 and 9 am only. If you come at other times there is a brown hard cover book on my table in which you could leave me messages.

Ø All the best. Let us grow together.

Anil Pinto

Email: anil.pinto@christcollege.edu, ajpinto42@gmail.com

Blog: http://anilpinto.blogspot.com